Rhythms generated in the weaving process create a secondary sonic tapestry, suggesting alternative ways of experiencing and understanding the architecture of woven cloth. As the Jacquard loom embeds each design in sequence, a new pattern emerges through sound––another less tangible sequence. The loomʼs mechanics perform the score created by the clothʼs pattern, rattling and thumping in distinct ways. An audio recording of these sounds is converted back into binary code. The cycle of translation is completed when the binary data representing these sounds, an accidental byproduct of the Jacquard itself, is programmed to weave; a separate artifact; a cyclical archive of the entire process.